This post originally had a different title, but I started humming the song Los Angeles by LA's pioneering punk band X. One of the promises I made myself last spring prior to returning back to the states was to spend more than a couple of days in LA visiting with friends and family. In my case good intentions seldom match reality. It was a whirlwind trip.
My friend Patrick told about the Art In The Streets exhibition at the Museum of Contemporary Art in Los Angeles (MOCA-click here link to read the Museum's press release). He thought it was something I should see. I take Patrick's recommendations the way Moses listens to a burning bush. |
Tools of the trade. |
The exhibit was an eclectic sampling of fliers, posters, tagging, printing, painting, drawing, sculpture, installation, found object, performance, situational... |
Patrick told me that Art In The Streets was scheduled to travel to the Brooklyn Museum but was nixed. It appears that the museum conveniently fell short on funding; never mind negative publicity or pressure from the city. To learn more read the NY Times article Brooklyn Museum Cancels Graffiti Show. (A little slant on the article's title.) I guess there won't be a renaissance of painting NYC subway trains. |
Art In The Streets has been criticized for being tidy and contained. Attempting to reproduce the elements of the streets in a posh and controlled environment doesn't bode well with purists. |
A Duane Hanson sculpture? |
Ditto. |
This could had easily been a flier for The Dicks or an MDC show. For punk rockers living during the 80's, Ronald Reagan was a godsend. The effect of Reagan's policies and persona on the punk community during the 80's is well documented in Bryan Turcotte & Chris Miller's book Fucked Up + Photocopied: Instant Art of the Punk Rock Movement and Steven Blush's film American Hardcore. |
Old School Keith Haring. I like that several of my students here in Egypt own Keith Haring shirts. The kids might not be stoked about his private life. |
Banksy |
Sorry the gift shop is closed. |
70's television program Good Times comes to mind. |
Patrick and the mailboxes (the name of his new band). |
The positive qualities regarding the exhibit was a decent cross section and interpretations of street art. |
Cholo lettering = downloadable fonts. Nothing is sacred! |
I wondered how many visitors stopped at the dispensary down the street for a space muffin prior to entering this part of the show. |
I once bought the zine Lost from my friend Julie. The publication was a collection of lost pets fliers; an actual Milk-Bone dog biscuit was attached to the cover. |
Lowrider culture meets cholo swap meet t-shirt booth. |
No photos were allowed of this Basquiat image. |
No more Yogi. |
Even the pigeons in LA have it rough. After the show Patrick and I headed up to his nephew's gallery in Chinatown- Charlie James Gallery. Charlie has been carving his niche in the LA art scene. Hanging out with Charlie is always an unpredictable adventure. The evening's itinerary included a stop at Jumbo's Clown Room and a Canadian Day improv performance at Upright Citizen's Brigade.
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Giovanni Marks (Subtitle) and Sonny having a conversation via texting. |
Twin Infinities exhibit at the Nomad Art Gallery/Compound was curated by Rich Jacobs and Tee Pee Records. Rich was kind enough to ask me to submit a last minute piece. Crashing gallery exhibits was my M.O. this past summer. |
Some of the works. |
Coliseum jamming on opening night. |
In addition to art, live music, an outdoor wrestling ring, beverages & snacks, there was a tattoo shop in the compound. |
Ana and I did sneak up to Whittier one afternoon for rib fest 2011 at the de la Rosa compound. |
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